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Bombito founder Reece Cargan will be heading to PFM next week with director Paul Sng from LS Films.



The Production Finance Market (PFM) is the annual two-day financing event for film. Run by Film London in association with the BFI London Film Festival, they will be pitching feature film ‘Always Crashing in the Same Car’.




When a disgraced, alcoholic doctor meets a pregnant teenager suffering domestic abuse, they embark on a relationship which could lead to redemption, but at devastating cost to them both.



Written by Dorothy Jane Stewart, ‘Always Crashing In The Same Car’ follows the story of Yvonne and Cheryl, two lonely and damaged people trapped in very different situations, who find hope, solace and redemption in each other.



The script of the project won the prestigious WScripted Cannes 2023 Screenplay List - in association with Mubi for the best unproduced screenplay by a woman or non-binary writer.



You can find out more about ‘Always Crashing in the Same Car’ here.

Bombito is excited to announce a second collaboration with the New York Times. Documentary ‘Clean’ is available to view on the New York Times Op Docs section, along with an opinion piece penned by director Miranda Stern.





The opinion piece, titled ‘A Final Goodbye to Opiates’, sees Miranda discuss what the documentary means to her personally, and why its subject matter of recovery - as well as how we perceive it - is so important.






Clean on the festival circuit


‘Clean’ has had an incredibly successful run so far, having screened at this year’s Galway Film Fleadh and Palm Springs International ShortFest, as well as winning the Scottish Short Film Award at the 16th edition of the Glasgow Short Film Festival.


The documentary will be screened at three more festivals this year, with its next screening being at the 2023 Indie Street Film Festival on Saturday the 16th of September.


‘Clean’ will also be screened at the 11th edition of DOX RUHR in October and at the BAFTA qualifying Aesthetica Film Festival in November.


The film


A short and personal female-centred documentary about addiction and long-term recovery from it.


Miranda weaves together observational and lyrical elements to take us into the challenging, deeply personal and relatively unknown world of recovery – along with the processes of care that follow in the years after a period of active addiction.


This is one couple’s journey together as they negotiate the world of recovery and how to plan for a future with so much uncertainty in it.



Further information

  • Directed and Edited by Miranda Stern

  • Cinematographer: Julyan Sinclair

  • Producer: Reece Cargan

  • Executive Producer: Sue Bourne

  • Composer: Rotem Frimer

  • Edit Consultant: Emiliano Battista

  • Colourist and Online Editor Karolina Matela

  • Sound Designer: Alina Ushakova

  • Dubbing Mixer: Joseph Russell

Developed, supported and executive produced by the Scottish Documentary Institute's Bridging the Gap programme and Screen Scotland.


Steven Fraser's short documentary Prosopagnosia is currently qualified for the 95th Academy Awards and the voting has begun! The film has been submitted by distribution partner The New York Times in the Best Documentary Short category.


We are very excited to qualify and our keeping everything crossed that this Scottish, Stop Motion Animation and deeply personal account of Prosopagnosia can make it to the Academy Award shortlist and maybe bring a gold trophy home to Glasgow in March 2023.


The film

Steven's film uses expressive animation to investigate intimacy, communication and memory.


Prosopagnosia

Prosopagnosia means face-blindness and to understand this neurodiverse behaviour, the contents of a memory box are intricately explored.


Steven uses his sketchbooks, photographs and diaries to tell a unique, engaging and personal story.


In partnership with the New York Times - you can watch the film via their Op Docs site.

If you are a voting Academy member in documentary - please watch the film and of course - vote for it if you like it.

The film had its International Premiere at the world renowned IDFA Documentary festival in Amsterdam. Steven returned to screen the film again and take part in multiple Q&A sessions as part of the IDFA School Programme Screenings.



Other screenings

Since the premiere, the film has appeared at over 40 International festivals and had many more screenings. It was Grierson nominated and has won multiple awards for best film, experimental awards and a variety of grand jury prizes.


The Sebastopol Documentary Festival was our first Academy Award qualifying festival where the film won the Jury Award.


Sebastopol Jury Note:

“Beautifully shot, edited, and produced.


A warm, uplifting story about resilience and creativity. “A personal, vulnerable, and vibrant exploration of a fascinating yet little known topic – face blindness.


The jury was impressed by the visually rich design and stop motion animation, poignant narration, and profound questions raised.”


North American screenings and successes

The film continued stateside success and won an inaugural Marvels of Media award sponsored by AMC networks. Following this Steven attended the event to pick up his prize and artefacts from the film are now hosted in the Museum of the Moving image (MOMI).

The film is continuing to show across venues in North America across 2022 and 2023 thanks to Reel Abilities.


Watch the trailer


Watch the film online via the New York Times

We were thrilled when we gained support from the New York Times and if you have a subscription - Prosopagnosia is now featured to view on their Op Docs site.



Further information

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©2024 by Bombito productions. 

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